Lidia Yuknavitch is not an author I’ve come across before. Considering she writes feminist speculative fiction with a strongly literary feel this should probably come as no surprise – there are many excellent writers in genre fiction but most of the ones that make the shelves are male and not looking to write ‘literature’ just a good story. They probably form part of a trilogy at the very least – and a series that gets into double figures is not unusual – but I don’t think many of them pack quite so much into less than 300 pages.
The basic premise of the book is that the human race is pretty much doomed. Earth is a blasted wasteland after an environmental catastrophe ends a long and bitter global war. The rich and powerful now live in a space facility known as CIEL and fritter away their time inscribing their own bodies with something like a cross between tattoos and self-harm. The survivors of humanity have become, somehow, pale, hairless and without any sexual characteristics – sexual acts themselves have become punishable offences but the body adornments they favour are usually erotic tales. The most powerful figure on CIEL is Jean de Men – who seems to be leading a bloodthirsty cult – and his nemesis is Joan, a young girl, originally from France when such a place existed, who seems to hear voices and has strange powers over the Earth itself. Much is made of the parallels with the historical figure of Joan of Arc and her fate seems to be much the same as this Joan is burnt to death. Or possibly not, according to her faithful followers both on Earth and CIEL.
This wasn’t an easy read. It is very literary in tone, with very strong language used throughout, and is definitely speculative rather than sci-fi. The reasons for mankind’s transformation isn’t explained, nor are Joan’s powers, but the story and language are gripping. Worth persisting with.