The Kate Shackleton mysteries by Frances Brody are going strong – this is the tenth in the series – so I was interested what it is about them which has proved so popular. Some of it will be the nicely complicated plots, full of murder, scandal and intrigue but I suspect that some of the popularity is because of the glorious backdrop to those plots. I’m not ashamed to admit that I watch certain tv shows (like Poldark, Death in Paradise or Midsomer Murders) because they are shot in beautiful settings – if the plot drags or becomes too far-fetched I’ve something pretty to look at – so I can understand why this could be the case with these books. The settings are all very definitely ‘Yorkshire’ but also varied: they range from Harrogate to the mill villages of West Yorkshire and from the Dales to the Yorkshire coast – anyone who knows Yorkshire will recognise scenes; those who have yet had the joy of visiting ‘God’s own county’ will find plenty of ideas for an itinerary.
A Snapshot of Murder opens in Headingley, Leeds, which isn’t a place I know hugely well apart from the area around St Michael’s Church and the Skyrack pub. Oddly enough, this is just where Kate Shackleton lives. The bulk of the book is then set in Howarth and Stanbury – villages I know well as they are just a few miles from my own home and popular tourist destinations because of their connection to the Brontë sisters – so I followed this story with particular interest. I also enjoy a bit of photography myself so the photography group plot was interesting – looking through a lens does certainly make you focus quite differently. The plot centres around Carine Murchison, a friend of Kate’s, and her fairly obnoxious husband Tobias: while the group are visiting Haworth (on the very weekend that the Parsonage first opened as a visitor attraction in August 1928) he is murdered. No-one will miss him but who killed him? Most of the group, and their hosts at Ponden Hall, have reason to want the man dead and we join Kate Shackleton as she delves deeper into their motives. Secrets are revealed about the realities of the Murchison’s marriage and their pasts and many suspects have to be eliminated from enquiries, including Kate’s young niece Harriet. Because we see all the angles (which are only gradually revealed to Kate) we are sure fairly early on who the killer is but, like a good episode of Columbo, this doesn’t distract from the telling of a good story.