Animal narrators are nothing unusual. I’d imagine very few children are brought up without some experience of stories told from the point of view of various bunnies, puppies and kittens and I, personally, have strong memories of crying my eyes out at some of the episodes narrated by Black Beauty (poor Ginger, I’m filling up just thinking about it…). It is, it seems, a tried and tested way of introducing youngsters to events and emotions which might seem too harsh if they had to contemplate them happening to people – I can’t even guess how many times I’ve recommended Badger’s Parting Gifts, for example – but as adults do we want the same things? Most animal-narrated books for adults that I’ve seen previously, such as A Dog’s Purpose, have been on the sentimental side so I’m not sure I was quite prepared for Lineker – the canine half of the narrating double act in the Last Dog on Earth.
Lineker and his master, Reginald (he really doesn’t like being called Reg, although he often is), live in a deserted tower block in London after some not quite specified disaster. This suits them as Reginald is anxious about leaving his flat and, even before London became a deserted wasteland, he does everything he can to avoid any kind of physical contact with other people. However, when a starving, silent and persistent child shows up on their doorstep – and refuses to leave – their lives change. They have to leave the safety of the flat and try to cross the city to get the child to a refugee camp. They meet allies and enemies – the latter generally being the purple-clad followers of a charmingly plausible politician whose inflammatory views set the destruction in progress – and discover that no-one can get through it all on their own.
I liked Reginald, a fragile, fallible but, in the end, downright decent man. He has his issues – an inability to be touched rooted in a terrible personal tragedy – but, when it comes down to it he overcomes them to protect those he feels responsible for. The child is fearful, fierce and, essentially, hugely resilient – you can see why both Lineker and his master come to love her – and other, minor, characters (human and canine) are well described. But Lineker himself, well, he really was the character which made the whole story come alive for me. He is pure dog. He adores his master, especially his various smells, and thinks deeply on many subjects (and also about smells, food and squirrels – he really hates squirrels…). His language is earthy, but this seems pretty dog-like to me. He uses words we would consider to be bad swear words but they are the ones connected to bodily functions and sex – what else to we expect a dog to be interested in? I’ve read a lot of post-apocalyptic novels (as I’m sure I may have mentioned previously) but this one stands out. Partly because the apocalypse itself is unusual – an eerily realistic political disaster rather than a plague/zombie attack/nuclear war/environmental crisis – but largely because Lineker is one of the oddest, if most engagingand joyful, heroes I’ve come across in the genre.