Rachel Joyce writes wonderful books. Not necessarily with the most beautiful, flowery language (although they are good words, honest and accessible) but with characters, plots and emotional sucker-punches which make me very, very happy. I’ve never met a Rachel Joyce novel (so far) that I didn’t love but, boy, do they bring a tear to the eye. In an oddly satisfying way. It feels quite hard to describe why I love these books so much beyond the fact that they get me right in the feels (as the kids no longer say…) – lets hope I can convince you to read them and find out for yourselves…
This book opens in 1988. In a music shop which is resisting the rise of CDs (although not modern music) and the march of progress generally. It is on a street with a small parade of the kind of shops which are closing down all the time – the book opens in a sort of dead-end. But it is the kind of glorious dead end that I, for one, would love to have on my doorstep. The owner of the shop, Frank, is a bit of a lost soul who is still mourning his beloved (but rather difficult) mother, who shies away from relationships and who, despite all this lives to help others through music. The man with the unfaithful wife who listens only to Chopin is reminded that he is not alone via the work of Aretha Franklin; a bank manager’s baby is lulled to sleep by The Troggs Wild Thing. He is, in the early days, pretty astute about music – he’s the only shop locally to stock the Sex Pistols and stocks all the big indy labels – but the rise of CDs is a problem. Frank won’t stock them and he becomes persona non grata with all the reps from record companies.
Of course, if this were just the story of a shop it wouldn’t be quite as satisfying (apart, possibly, to those of us who work in shops and have a vested interest) so there are also some fascinating characters to meet. Frank himself is a gentle, rather shabby, giant of a man who, despite trying to avoid relationships, is essential to the lives of all those around him. Then there are the other residents of Unity Street – a Polish baker, an ex-priest running a religious gift shop, a pair of elderly undertakers, a combative tattooist, little old Mrs Roussos – who are all given life and character and who all become part of Frank’s ‘family’ (for want of a better word). Add into this his hapless (but big-hearted) assistant Kit and a mysterious German woman, Ilse Brauchmann, and it seems that Frank hasn’t been able to avoid all relationships after all.
I loved this book because of those wonderful, warm and complicated human relationships. I loved it because it made me cry as much as it made me smile and I loved it for the music. Frank’s approach to music is unusual, to say the least, since he is possibly the total opposite of High Fidelity’s obsessive alphabetiser but his tastes are broad. I loved the fact that its four parts are presented as being the four side of a double album (a concept album, obviously). And, for my money, any novel which opens with a quote* from Nick Drake deserves all the praise I can give it…
*Time has told me
You’re a rare, rare find
A troubled cure
For a troubled mind
Nick Drake – Time Has Told Me