Today has been a bit of a day for making decisions (largely of a political nature) and I got to thinking that a lot of that kind of thing goes on in YA books. The target audience (12-18 or 15-24 year-olds I guess, certainly not me….) are often having to make the first big decisions of their lives – about what subjects to study, what future careers to aim for, about what they stand for politically, about what sort of adults they want to become. They are deciding whether to form relationships, where they fall onto the spectrum of sexuality, politics, religiosity and social tolerance. Some of these decisions will be wrong. From the perspective of 20 or 30 years it is easy to see that a choice made at 17 is not final: at 17 it feels very decisive.
In Non Pratt’s Truth or Dare the main characters, Claire and Sef, need to decide how to make a lot of money in order to finance Sef’s brother’s care after a catastrophic brain injury. They decide to raise cash by filming dares and promoting them on some sort of Youtube-like channel and become Truth Girl and Dare Boy. The story is told in two main sections – one each from Claire and Sef’s points of view – and no final decisions can be made until both are able to see the other’s viewpoint. Pratt really seems to be able to speak in the voice of modern young people – their doubts, fears, joys and passions. She manages to touch on issues of sexuality, race and social privilege without making them the centre of the story (which remains as Claire, Sef, their burgeoning relationship and their fundraising attempts). It is particularly refreshing that Sef is a young British muslim lad but his story is not one of radicalisation or terrorism – his cares and concerns are those of any young man of his age (although he still has to deal with racism and islamophobia, obviously).
In One of Us is Lying Karen McManus gives us a 21st century update on that 1980s classic, the Breakfast Club. In a typical American high school five students have detention – there’s a princess, a jock, a brain, a bad boy and an outsider who is both feared and feted for his online gossip column – so far, so close to the film but then Simon, the online gossip, dies suddenly while the supervising teacher is out of the room and things start to go a bit C.S.I.
What I enjoyed most about this book is the fact that nobody is quite what they seem. The bad boy shows that he can be both kind and resourceful (although he’d never admit it), the princess is hugely insecure about her looks, the jock may not be the all-American hero he’s touted to be and the brain may not have got all her grades in the accepted way. We see these young people from their own points of view – each chapter moves from one voice to another – and yet we find that they are not as fixed in their cliques as they first appear. They each have to make choices about who they could become (with shades of Grease as the ‘brain’ makes an Olivia Newton-John style choice of boyfriend) while also trying to work out who could have killed gossip-boy.
My final YA holiday read was Contagion, the first in a new trilogy from Teri Terry. (This one is a slightly more tenuous link to my ‘decision-making’ theme since it is rather firmly in the post-apocalyptic genre but I’m sure it’s in there somewhere.) The book opens with a girl called Callie, in a mysterious facility full of doctors and nurses in biohazard suits, being sent for a ‘cure’. We switch to Shay, in a Scottish village, who sees a poster about a missing girl (Callie) and realises she saw her on the day she disappeared a year before. She contacts the number on the poster and meets Kai, Callie’s older brother. Shay and Kai end up trying to investigate Callie’s fate while dodging the effects of both a deadly epidemic and the even deadlier shadowy figures who appear to be behind it.
Again this book comes from two different voices – Callie and Shay. They have similarities, especially in the way that they both love Kai, but also very many differences. Callie is much younger, more emotional and less rational – Shay is thoughtful, willing to make personal sacrifices but also more inclined to keep her worries to herself. Towards the end of the book we start to discover much more about the nature of the epidemic, its effects on the few who survive and the motives of those who seem to control its development. There are two more books to come – I think I’m hooked enough to need to know how this ends. Shay, and Kai’s, decisions will be important but I have a feeling that Callie will be the lynchpin (or, just possibly, the firing pin from a deadly grenade…)